Fear She used to love old black and white films: especially the horror ones, produced in the late thirties and forties. By the time they were released for television, the sound was slow and eerie and the character movements were jerky and mechanical. The most intriguing, scary aspect of these films was the interaction among the various ranges of the colour spectrum – from white to grey to black. All these traits were precisely part of the attraction. When the production worked most effectively, with hovering, menacing shadows and piercing shrieks that penetrated her entire nervous system, she would grab
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